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Author Archives: tito
Critical? Practice!
What is critical practice anyway? When I joined the course, I was fresh with the frustration of having arguments with my BA tutor in which he tried again and again to convince me that mine was an architecture project and … Continue reading
Wrapping up, handing in.
As the end of my MA approaches, it’s time to sum up my use of this blog for the Methods & Processes module. The initial purpose of die unendliche werkschau was to document my work as it went, providing me … Continue reading
So, what am I doing again?
As much as I see the importance and usefulness of documenting stuff, I am just working at a pace in which at the end of the day I want to use those last five minutes to really finish what I’m … Continue reading
Networks in Crisis, all in once
My work for the Networks in Crisis brief had maybe an even weirder timeline than the Spaces of Production one. When the brief came out, I didn’t even think of working on it because I was in the middle of … Continue reading
Queer In/Visible Academy: some flyers
As I wrote in my portfolio, “Queer Theory poses a fundamental question to image-makers: what in our work is descriptive, what is prescriptive and what is the relationship between these two aspects of visual material?”. Bearing this in mind, in … Continue reading
The Lines Between
Again on the topic of renaming my website. I had been playing for a while with the concept of a bizzarrorama: a place or an instrument to see weird and obscure things. (behold a page of my sketchbook after four … Continue reading
Posted in goldsmiths, musicforasteroids.com
Tagged bizzarrorama, methods & processes, music for asteroids
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Spaces of Production IV: an overview.
I spent a ridiculous amount of time implementing the idea of drawing architectural plans of Ableton Live, eventually losing track of why I was doing it in the first place. Hence the completely pointless level of detail to which I … Continue reading
