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My work for the Networks in Crisis brief had maybe an even weirder timeline than the Spaces of Production one. When the brief came out, I didn’t even think of working on it because I was in the middle of … Continue reading
As I wrote in my portfolio, “Queer Theory poses a fundamental question to image-makers: what in our work is descriptive, what is prescriptive and what is the relationship between these two aspects of visual material?”. Bearing this in mind, in … Continue reading